With a view to a later date, or never

Group exhibition at Badischer Kunstverein curated by Jacob Korczynski,
with Jean Paul Kelly and Emma Hedditch
Karlsruhe, Germany

8 October — 15 December 2021

Excerpt from exhibition text:


The exhibition consisted of a sculptural installation under the name Real 'til I come, which includes glass sculptures both from 2018 and new iterations made with the waste glass from the gallery staff's household garbage, produced during public workshops held at Badischer Kunstverein the weekend preceeding the opening of the exhibition (read and see more about these workshops here); and a four-channel sound work called The Whole Roach, an improvised acapella version of the first act of Stravinski's ballet Le Sacre du Printemps made in collaboration with vocalists Linus Bonduelle, Chypko F, Tisa Neža Herlec and Juliet Van de Voort. This sound work is the beginning of an ongoing work tentatively titled The Sack Hold You, Panter, a video work with ceramic puppets hopefully to be completed in 2022.

Read a review of the exhibition by Lizzie Homersham in Art Monthly no. 453 here.




Exhibition view: Real 'til I come, sculptural installation & The Whole Roach, four-channel sound work
br>Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (found door, chord made from found textile material with embroidered text, glass scluptures filled with water, contact speakers)
photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (found door, chord made from found textile material with embroidered text, glass scluptures filled with water)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (found door, water, contact speaker) & The Whole Roach, four-channel sound work
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (found door, glass scluptures filled with water)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (chord made from found textile material with embroidered text, netted woven waste ends, felted waste wool)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (chord made from found textile material with embroidered text, netted woven waste ends, felted waste wool)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (found door with annotated credits in graphite on the underside)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
Exhibition view: Real 'til I come, sculptural installation & The Whole Roach, four-channel sound work
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (standing scluptures made with partially rotted textile spools & found glass sculptures filled with water)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
Real 'til I come, sculptural installation (netted waste ends of a woven cotten cloth)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
detail: Real 'til I come, sculptural installation (netted waste ends of a woven cotten cloth)
Badischer Kunstverein, photo: © Stephan Baumann, 2021
Real Til I Come & The Whole Roach at Badischer Kunstverein, Karlsruhe, GE.